Saturday, February 18, 2017

Together Again (1944)

Together Again is a moderately entertaining 1944 Columbia screwball comedy, although it definitely is not in the genre’s top rank.

Anne Crandall (Irene Dunne) is the mayor of Brookhaven Vermont. Her late husband Jonathan had been mayor. In fact the Crandalls have always pretty much run the town. There’s even an impressive statue of Anne’s late husband looming over the place. At least there is until the statue is struck by lightning and decapitated. 

Anne’s father-in-law Jonathan Crandall Sr (Charles Coburn) is delighted. He sees the lightning strike as a sign that it is time for Anne to move on. He feels that rather than devoting her life to continuing her husband’s work she should live her own life, and she should remarry.

Anne decides that her husband’s statue must be replaced by a new one so she sets off for New York to offer the commission to sculptor George Corday (Charles Boyer). At which point a certain craziness starts to take over Anne’s previously orderly life. Respectable mayors do not normally get arrested for indecent exposure!

Of course George has fallen for Anne and Anne has fallen for him although it will take her a while to admit such a thing. There is a major complication, in the person of Anne’s neurotic step-daughter Diana (Mona Freeman). Diana reveres her father’s memory and she’s rather highly strung. In fact she’s very highly strung indeed. The complication comes from the fact that Anne had promised Diana that she would never remarry.

When George Corday follows her back to Brookhaven and begins work on the statue Anne’s life gets really crazy. In typical screwball comedy style wires get crossed and misunderstandings blossom and everyone seems destined to get married, but to the wrong people.

Charles Vidor was a competent director but not really a specialist in this genre, and it’s a very demanding genre. It’s very easy for a screwball comedy to fall flat and for the intended zaniness to fizzle out into mere silliness. That doesn’t happen here but at the same time it doesn’t quite have the needed spark.

The cast is excellent. Irene Dunne gives it everything she’s got and her performance works. Charles Boyer is fine although personally I found Corday to be not entirely likeable. Charles Coburn is wonderful, as always. Mona Freeman manages the difficult job of making the step-daughter suitably neurotic without being irritating.

The setup has plenty of potential and with such a strong cast this should have been a winner. Unfortunately it rubbed me up the wrong way. Brookhaven seems like a delightful little town but of course George Corday points out to Anne that actually it’s full of hypocritical small-minded bigots. He knows this because he knows that anyone who doesn’t live in New York City is automatically a hypocritical small-minded bigot. The film accepts this as a fact so obvious that it doesn’t need to be debated. There’s a certain sneering contempt here that made me uncomfortable.

Columbia have released this movie as part of their Icons of Screwball Comedy Volume 2 DVD boxed set. The four-movie set is excellent value and the transfers are extremely good.

Together Again is reasonable entertainment and fans of Irene Dunne or Charles Coburn will find plenty to enjoy. The major weakness, for me, is that for a film like this to work we have to be hoping that the two leads will end up together, whereas I found myself hoping that Anne would realise that George Corday was a pompous self-satisfied ass so for me it didn’t really work. Your mileage may vary.

Saturday, February 11, 2017

The Clue of the Silver Key (1961)

The Clue of the Silver Key is one of the incredibly numerous series of Edgar Wallace adaptations cranked out by Britain’s Merton Park studio around 1960-61. This particular film came out in 1961.

Superintendent Meredith (Bernard Lee) has a murder to deal with. Within a short space of time he has multiple murders to deal with. They all seem to have some connection with a gallery opening by young artist Gerry Domford (Lyndon Brook) and with elderly super-rich money-lender Harvey Lane (Finlay Currie). Dornford wants to marry Lane’s niece Mary (Jennifer Daniel) but the old man won’t hear of it and threatens to cut her off without a penny if she does marry him.

There’s also a financier named Jordan Worth but nobody seems to know anything at all about him. There’s a waiter who may be more than a waiter and a bank manager who may be less than a bank manager. And there’s Harvey Lane’s butler Binny (Patrick Cagill) whose one great ambition in life was to be a detective.

Superintendent Meredith and Detective-Sergeant Anson (Stanley Morgan) know there’s a connection but they cannot for the life of them see what it is. 

The clue of the silver key itself is a neat touch and it really is an important clue.

Philip Mackie wrote the screenplay. Mackie went on to be a very fine television writer with a real flair for crime so it’s not surprising that the script is well-constructed with some decent twists. Mackie later created the wonderful Mr Rose, one of the best British television crime shows of the 60s and wrote several episodes of the equally splendid The Rivals of Sherlock Holmes series as well as all twelve episodes of the Raffles TV series.

Director Gerald Glaister had more success as a producer than as a director but he keeps things moving at a pleasingly rapid pace (always a crucial ingredient in the success of a low-budget movie).

British B-movies of this were usually well-acted and this one is no exception (despite the rock-bottom budgets of Merton Park productions). Bernard Lee played countless policemen and he played them all in much the same style, which happened to be a very effective and very enjoyable style. Superintendent Meredith is no genius but he’s dogged and while he’s a bit crusty he’s fundamentally decent.

Finlay Currie is the standout actor here, having great fun as the cantankerous, suspicious and miserly Harvey Lane. Patrick Cargill as Binny provides some comic relief, and thankfully the comic relief is never overdone or allowed to overwhelm the mystery elements of the story. Jennifer Daniel is personable enough as Mary Lane.

This story doesn’t have the slightly outlandish touches that many of the most entertaining Edgar Wallace tales have. It’s a relatively straightforward mystery. 

With a running time of just 59 minutes there’s not much danger of boredom.

This is one of the seven films that make up Network’s Region 2 Edgar Wallace Mysteries: Volume 2 DVD set. The anamorphic transfer is extremely good.

The Clue of the Silver Key is an unassuming but well-made B-movie that provides perfectly harmless entertainment. Recommended for fans of British mystery thrillers of this era (a veritable golden age for such films).

Friday, February 3, 2017

Man with a Gun (1958)

Man with a Gun is one of the countless crime B-movies churned out by Britain’s Merton Park Studios in the 50s and early 60s. It’s not dazzlingly original but it’s well-made and pretty entertaining.

Mike Davies (Lee Patterson) is an insurance investigator. He’s looking into a suspicious night club fire. The club was owned by Harry Drayson (John Le Mesurier). It soon becomes obvious that there is something more going on here, that in fact the fire was part of a plan by a gang of out-of-town hoodlums to move in on the London night club scene. All this is not really part of Davies’ job but he has a personal interest - he likes Harry Drayson and he likes Harry’s niece Stella (Rona Anderson) even more.

Superintendent Wood (Cyril Chamberlain) of Scotland Yard is taking an interest in the case but there’s no hard evidence against the gang and there’s not a lot he can do. He is however quite happy for Mike to dig up anything he can that might help.

To complicate things no-one knows the identity of the leader of the gang. To complicate things still further Drayson’s brother John used to be a member of the gang and is currently serving a sentence in one of Her Majesty’s prisons as a result. John Drayson does know the gang leader’s identity but he isn’t talking.

The gang is determined to force Drayson to sell his Stardust Club for a paltry sum and their methods become steadily more ruthless. Drayson however is a stubborn man, perhaps too stubborn for his own good.

The screenplay by Michael Winner (long before he found fame as a director) is quite serviceable and if the plot is routine it’s still pretty well executed. Veteran B-movie director Montgomery Tully does his usual competent job. The Merton Park films were always very cheap but within their budgetary limitations they generally looked reasonably good. You don’t need big money to make decent crime films. This one does its best to be hard-boiled and succeeds well enough.

It’s the rather good cast that makes this movie worth watching. Canadian-born Lee Patterson made a lot of these cheap B-films in the 50s and he has just the right kind of understated tough guy charisma. He usually played likeable but tough heroes (as in The Key Man) or sympathetic villains (as in The Flying Scot) and that’s how he plays this role and he does have a certain easy-going charm. Most importantly, Patterson knows how to wear a trench-coat convincingly!

John Le Mesurier was better known for comedy but he could handle serious roles without any problems, playing anything from sinister gangsters to smooth civil servants. His performance here is effortless and effective. Rona Anderson is more than adequate as the love interest for the hero while the supporting players are on the whole very solid by B-movie standards. Bill Nagy plays talent agent Joe Harris, Glen Mason is up-and-coming singer Steve Riley, Harold Lang is Drayson’s brother John and Marne Maitland is a wonderfully menacing hoodlum.

The film’s biggest fault is that it’s a bit too short and the ending seems very rushed. There’s not quite enough time spent building the suspense before the big revelation and the climax.

Network’s DVD release is as usual lacking in extras but offers an excellent anamorphic transfer and very good value for money.

Man with a Gun offers an hour of perfectly acceptable and surprisingly well-crafted entertainment. Despite the routine plot the fine performances, especially from Lee Patterson and John Le Mesurier, make this a slightly above average crime B-feature. Recommended.